The Fandrich Legacy of Innovation w/ Heather Fandrich

The Fandrich Legacy of Innovation w/ Heather Fandrich

In this episode of Piano Tech Radio Hour, Heather Fandrich provides an in-depth exploration of the Fandrich Vertical Action, highlighting its innovations in reliability and responsiveness compared to traditional upright actions. She explains the Fandrich-Rhodes method of weighing off actions, a technique highly regarded across the piano industry for its effectiveness. Heather brings these technical aspects to life with engaging stories and visual examples, making complex concepts accessible and informative for listeners.

The episode also delves into Heather's personal journey in the piano world, her early exposure to piano technology through Darrell Fandrich's vertical action prototype, and her family's rich legacy in the industry. She shares her recent return to piano playing after decades, including her enthusiasm for tackling challenging pieces like Chopin's Cantabile. Heather also discusses the future of the Fandrich Vertical Action, sharing how efforts are being made to expand the reach of this innovative design and bring it to a wider audience. This episode is a captivating mix of technical insight, personal history, and a glimpse into the future of piano innovation.

Listeners will also gain insight into Heather's perspective on the importance of maintaining high standards in piano craftsmanship and how technological advancements can enhance, rather than replace, traditional techniques. Her passion for preserving the artistry of piano making, while embracing forward-thinking innovations, offers a compelling narrative for anyone interested in the evolution of the piano industry.

About Heather Fandrich:

Heather Fandrich has been studying piano since the age of five. Despite growing up with a less-than-ideal piano, her passion for music never waned. Her first experience with a truly musical piano came when she played the prototype of Darrell Fandrich's vertical action, which inspired her even more deeply.

Heather's connection to piano innovation runs in her family. Her husband, Robert Jenny, wrote Darrell Fandrich's first two patents, and Heather later married Darrell, only to discover that her interest in pianos was in her genes. Her great-great-grandhusband, Frederick Mathushek, was a noted piano designer and builder in the late 1800s.

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Creators and Guests

Eathan Janney
Host
Eathan Janney
Eathan has 20 years of experience as a piano technician. He studied with Dave Miller, the staff piano technician for the Mason Gross School of the Arts at Rutgers University, New Jersey. Dave Carpenter, the inventor of the Verituner electronic tuning device, provided mentorship for Eathan in Chicago. Eathan also worked with Ken Eschete and Bill Schwarts, the staff piano technicians at Northwestern University in Chicago. In 2009, he founded Floating Piano Factory of New York, a company that allows piano technicians to move from Apprentice to Craftsman level while offering value pricing to clients as technicians progress toward mastery. In 2017 he founded Piano Technicians Masterclasses, an online project designed to offer cutting-edge instruction from piano industry masters to anyone on the globe with an internet connection.
Heather Fandrich
Guest
Heather Fandrich
Heather Fandrich began piano lessons at age 5. She studied piano for 8 years, but with less and less diligence, which she now realizes was largely due to an uninspiring practice piano. She got her BA and master's degree in social work and worked in the juvenile justice system for 28 years. She and Darrell met because her father, Robert Jenny, wrote Darrell's first two US patents. Only after she and Darrell were married did she learn that pianos were in her genes--her great, great grand-father was Frederick Mathushek, a noted piano designer and builder in the late 1800's. Her first experience with a musical piano was playing the prototype of Darrell's Fandrich Vertical Actionβ„’. Now she fervently wishes she had grown up with a musical piano, as she knows the results of her musical studies would have been quite different.
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